135 Royalty-Free Audio Tracks for "Chromatic Hexachords"

6-25ZB hexachord on C

6-20 hexachord on C

6-16B hexachord on C

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Harmonic Scale chromatic on C.

Tone row of Webern's Variations for piano, op. 27.

Thirteenth chord CMA13(sharp11).

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

Schoenberg hexachord (S-C-H-B-E-G). Created by Hyacinth (talk) 00:33, 13 October 2010 using Sibelius 5.

Gruppen tone row (Stockhausen 1963b, 116; Harvey 1975, 58; Misch 1998, 161; Whittall 2008, 185).

6-Z44 hexachord.

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.

Webern's Concerto Op. 24 tone row, composed of four trichords: P RI R I.

Tone row for Milton Babbitt's Composition for Four Instruments.

All-trichord hexachord (6-Z17). Created by Hyacinth (talk) 12:03, 22 September 2010 using Sibelius 5.

Webern's String Quartet Op. 28 tone row, composed of three tetrachords: P I RI, with P = the BACH motif.

A chromatic harmonica recorded in mono with my akg c214 on my stairs.

Low-pitched. Mono. Dry. Ascending chromatic scale played on the theremin. Saw-tooth, buzzy, giant robot steps. Recorded dry so you can add the effects you wish.

Low-pitched. Mono. Dry. Descending chromatic scale played on the theremin. Saw-tooth, buzzy, giant robot steps. Recorded dry so you can add the effects you wish.

Chromatic sequence of inverted minor chords played on a digital piano. Panto villain signifier.

Recording of a toy keyboard with cat sounds.

A chromatic scale on a small metal xylophone.

A tuned chau gong from my personal collection. I made these samples long ago and only did one take per gong. So, these sounds are a bit rough, but that should do well to suit the kinds of music that would use these gongs. I have tried loading single samples from this set (especially #4) across an entire keyboard, and playing that one sample as if it were the whole set, and that has worked out well. So, if one of the gongs crashes too much or decays too quickly for your liking, it should be trivial to replace that sound with another, pitch-shifted one.

Metal sound for any genre.

This is a chromatic scale synthesized from musescore, using the piano sound from fluidr3 soundfont. Edited on audacity for changing from stereo to mono 16-bit. The tempo is about 130bpm. The register of notes spans from c4 to b4.

Recorded with a zomm h1 and edited with audacity. Playing a chromatic scale with a marimba.

Chromatic scale on keyboard.

Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.

A 4 note bass loop. A little phaser and other processing on top. If anyone makes anything with this feel free to leave a link in the comments. I'd love to hear it.

Several variations on the classic trumpet "wah wah" effect.

The flea waltz recorded on my keyboard with dsk music box (a free plugin). It's a famous melody everyone has normaly already heard, piano beginer usualy learn this because it's very simple. If you have any suggestion to make for an other similar sound please ask me.

Add 150 ms delay (silence) at the start of the right channel. (typically the tempo is 130 bpm but practically none). Rhodes on the chromatic scale.

Sound demo 'annie is my darling' (simon fraser) by using the akkordica vst plugin, a virtual accordion, harmonica and melodica software that covers a wide range of sounds, by combining the traditional accordion performance and modern digital functionality. Suitable for a wide range of musical styles, be it traditional, popular or classical. Features:. 1. - piano accordion2. - anglo concertina3. - strasser accordion4. - hohner accordion5. - musette accordion6. - harmonica natural7. - harmonica vibrato8. - melodica (pianica)9. - accordina (harmonicon).